Dennis Báthory-Kitsz         composer - engraver - author - editor - photographer

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2007 Performances and Events

• December 16, Amsterdam: Cithara-Cantus Cantoris (a WAAM piece). Samuel Vriezen. Goethe Institute.
• December 2, (tentative) Sudbury, Massachusetts: Come, come! (a WAAM piece). Presbyterian Church Choir of Sudbury, Matthew Guerrieri, director.
• November 10, Colchester, Vermont: New Granite (a WAAM piece), for chamber ensemble. Vermont Contemporary Music Ensemble. St. Michael's College, 8pm. Pre-concert talk at 7:15pm.
• November 9, Montpelier, Vermont: New Granite (a WAAM piece), for chamber ensemble. Vermont Contemporary Music Ensemble. Unitarian Church, 8pm. Pre-concert talk at 7:15pm.
• November 2, Norwich, Vermont: Turn Around, Bustle & Blaze (a WAAM piece), for viola, horn, cello & piano. Blazing Calfe Bustlers. Norwich Congregational Church, 7pm.
• October 21, Montpelier, Vermont: Turn Around, Bustle & Blaze (a WAAM piece), for viola, horn, cello & piano. Blazing Calfe Bustlers. Montpelier Unitarian Church, 7pm.
• October 20, Burlington, Vermont: Turn Around, Bustle & Blaze (a WAAM piece), for viola, horn, cello & piano. Blazing Calfe Bustlers. University of Vermont Recital Hall, 8pm.
• October 19, Orlando: Extracts from several compositions for Bathory: The Blood Countess. Empty Spaces Theatre Company, John and Rita Lowndes Shakespeare Center, Mandell Theatre, 812 E. Rollins Street. Through November 3.
• October 13, Randolph, Vermont: Full House Reset (a WAAM piece), for piano trio. Trio Tulsa. Chandler Music Hall, 8pm.
• October 4, Valley Glen, California: Morning in Nodar (a WAAM piece), for double bass. Thomas Peters, double bass. Los Angeles Valley College..
• September 29, Pasadena: Morning in Nodar (a WAAM piece), for double bass. Thomas Peters, double bass. Marjorie Branson Performance Space at the Boston Court Performing Arts Complex, 8pm.
• September 28, Sydney: filouria for electronic playback, at Live Wires, Syndney Conservatorium of Music, University of Sydney Workshop Hall, as part of the Vox Novus 60x60 Project
• September 16, Waterbury Center, Vermont: For the Beauty of the Earth (a WAAM piece), for violin. Thomas L. Read, violin. Orr House Concert, 4pm.
• August 26, Amherst: krikisque, WMUA FM 91.1, part of the Vox Novus 60x60 Project.
• August 22, Galway: filouria for electronic playback, at Nightclub Stress, Deburgo's, St. Augustine Street, as part of the Vox Novus 60x60 Project
• August 12, Montpelier, Vermont: Drumbing, for eight hands. Montpelier Unitarian Church. The Long Roll Ensemble.
• July 30, Long Island, New York: filouria for electronic playback, at Adelphi University Ruth S. Harley University Center Ballroom, as part of the Vox Novus 60x60 Project
• July 16, Ottawa: Soundings and Détente (both WAAM pieces). Carson Cooman, organ.
• June 15, Munich: Future Remembrance for electronic playback (a WAAM piece), at A·Devantgarde festival, Königsplatz München und Hochschule für Musik und Theater as part of the Vox Novus 60x60 Project
• June 13, New Music Box: A Language We Already Understand: Noah Creshevsky's Hyperrealism, an article about the work and technique of composer Noah Creshevsky.
• June 10, London: Future Remembrance for electronic playback (a WAAM piece), at Amadeus Centre, 50 Shirland Road, Little Venice, as part of the Vox Novus 60x60 Project
• June 7, Bremen: Future Remembrance for electronic playback (a WAAM piece), at Theatersaal, University of Bremen as part of the Vox Novus 60x60 Project
• Spring, TBA, Johnson, Vermont: Centering (a WAAM piece). Johnson State College Choir directed by Lisa Jablow at the Dibden Center.
• May 17, 7:30pm. Glasgow: Yer Attention Please. At Glasgow Pipeworks 2, Kevin Bowyer, organ.
• May 15, Hanover, New Hampshire: A Village on the Wind (a WAAM piece). Together with a lecture by the composer. Bregman Studios, Dartmouth College.
• Late April, (tentative). Boston: Coarse Salt (a WAAM piece). Michael Straus, soprano sax.
• April 28, Nodar, Portugal: First presentation of the video Pão e Nascimento: Nós Cantamos with the first of Three Songs for Manuela and the Pão: Bread Song Variations.
• April 26, 8pm. Oberlin, Ohio: filouria for electronic playback, at Fairchild Chapel as part of the Vox Novus 60x60 Project
• April 20, Greenville, South Carolina: Étude. Heather East, piano. Bob Jones University. (The Étude waited a full 40 years for its premiere.)
• April 14-15, Tulsa: Mountains of Spices (a WAAM piece). Eleva Chamber Players: Willie Docto (violin), Raymond Malone (viola) and Meridith Harrison (mezzo).
• April 14, Seia, Portugal: Lecture on the Birth Song Project, with presentation of numerous electroacoustic compositions. Seia Conservatory.
• April 13, (tentative). Baltimore: Coarse Salt (a WAAM piece). Michael Straus, soprano sax. Griswold Hall.
• April 10-28, Nodar, Portugal: Residency at Binaural Media Nodar Guest Studio for the first phase of Birth Song Worldwide with Stevie Balch.
• April 6, Las Vegas: Three-Part Invention. Nadia Shpachenko , piano. University of Nevada.
• April 4, Pomona, California: Three-Part Invention. Nadia Shpachenko , piano. California State University.
• February 26, 8pm. Denton, Texas: filouria for electronic playback, at Merrill Ellis Intermedia Theatre, University of North Texas as part of the Vox Novus 60x60 Project
• February 25, Sudbury, Massachusetts: Come, come! (a WAAM piece). Presbyterian Church Choir of Sudbury, Matthew Guerrieri, director.
• January 11-14, New York: Visit my atrium table at the Westin for the Chamber Music America conference!